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Music for Great Cathedrals

Music for Great Cathedrals

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Great Choral Anthems
Hymns for All Seasons

Ref: CDG1051

13 tracks 58 min
Click here to preview trk 8

The soaring sounds of choral music

Soaring anthems and motets from the golden age of English choral music, by Byrd, Taverner, Gibbons, Tallis and others, composed in the sixteenth and seventeenth centuries to be sung in the glorious acoustics of Britain's greatest cathedrals and churches.

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Music for Great Cathedrals

Choral music of the past - sounds of soaring voices reflect the architecture of Britain's medieval cathedrals, coloured by light from the late afternoon sun through a stained glass window.

1 Laudibus in Sanctis William Byrd (1543-1623)
2 Ave Verum Corpus William Byrd
3 Gloria in Excelsis Thomas Weelkes (1576-1623)
4 Agnus Dei John Taverner (c.1490-1545)
5 O Lord in Thy Wrath Orlando Gibbons (1583-1625)
6 Sing Joyfully William Byrd
7 Agnus Dei Christopher Tye (c.1505-1572)
8 Sanctus John Taverner
9 In Manus Thomas Tallis (c.1505-1585)
10 Magnificat Thomas Tomkins (1572-1656)
11 Alleluia Thomas Weelkes
12 When David Heard Thomas Weelkes
13 O clap your hands Orlando Gibbons

English Renaissance
Directed by Michael Stoddart

Sophie Decaudaveine, Rebecca Ockenden
Richard Furstenheim, Michael Stoddart
Andrew Austins, Adrian Shaw
Richard Lea, Patrick Ardagh-Walter

Programme includes live recordings
Produced by David Trendell and Michael Stoddart
Licensed from English Renaissance

CCL CDG 1051
This compilation P & C 2003 Classical Communications Ltd
Made in Great Britain

For further details of The Gift of Music
Please contact Classical Communications
Worton, Oxfordshire, OX29 4SZ
Tel +44 (0) 1865 882920
E-mail sales@thegiftofmusic.com

Inside book:

The English had a special way with music. It was in their blood, and, in medieval times their choirs and composers were the envy of the world. The so-called 'contenance angloise', the smooth, mellifluous style cultivated by the generations of English composers a few years earlier than those whose works are heard on this album, was admired and widely imitated throughout Europe. Taverner, Tallis and Tye composed music in the main during the earlier part of the sixteenth century. Their music was heard by Henry VIII, in royal chapels and cathedrals, and later by Queen Elizabeth (see CCL CDG1052). They were active in London, Lincolnshire and Oxford. Taverner left Boston in Lincolnshire to become the first choirmaster at the magnificent new college and church built in Oxford by Cardinal Wolsey, which is now known as Christ Church college and cathedral.

Tallis was a favourite composer of Queen Elizabeth, and, like William Byrd, composed sacred music with both Latin and English texts, reflecting accurately in his works the constantly changing political and religious undertones of a turbulent century. Byrd and Tallis were amongst the first to be granted a royal licence to publish their music. Byrd, too, had Lincolnshire connections and was organist at Lincoln cathedral for some time. Thomas Tomkins and Orlando Gibbons were of the next generation, and their music making was really a seventeenth century affair. Gibbons (who played the organ at Westminster Abbey) had the more modern outlook, and seemed aware in his music of developments in Venice and Rome. But Tomkins (who worked at St David's cathedral) stuck to his old-fashioned style throughout his long life, writing music largely similar to his early works even as his world, of royalty and patronage, of church and state, was falling apart around him, when Charles I was executed in 1649.

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